When we have two characters that we don't have a reason to care about, then we especially don't have a reason to care about them being together. This makes the growing romance between Norimichi and Nazuna feel completely meaningless. So we have a romance film in which both of our leads have very little to their characters. Beyond wanting to run away and elope with Norimichi (something that's introduced very quickly and awkwardly), Nazuna's character feels just as hollow as Norimchi's. This makes it unclear as to why Nazuna doesn't want to move, but perhaps more importantly, this is the only real exploration of Nazuna's character. Moreover, we see that Nazuna doesn't seem to be noticed by her peers at school. But this itself is a bit confusing, given that its directly stated by Nazuna's mother that she doesn't have many friends. Nazuna fares a little better with having the conflict of her family moving despite her wishing to continue living where she is. Norimichi as the lead, in particular, really hurts this film due to how little there is to his character. We spend most time of the film with Norimichi and Nazuna, and yet both of these characters feel remarkably hollow. Fireworks doesn't understand this, and as a result, this film collapses in on itself. The most crucial aspect of a film that discusses romance and emotions is creating characters that the audience likes and cares about. After walking with her, Norimichi sees Nazuna get forcibly taken away by her mother, and what follows is a story revolving around time travel, humor, and a budding relationship between Norimichi and Nazuna. Norimichi later encounters Nazuna, learning that she has to move to another town. However, Yusuke later decides to watch the fireworks with his friends in order to end their debate on the shape of fireworks, effectively ditching Nazuna. After Norimichi and Yusuke compete in a swim race against each other, Nazuna, an introverted girl that Yusuke has feelings for, asks him to watch the fireworks with her later that evening. The film centers around Norimichi and his friends, who are debating whether fireworks are round or flat when looked at from the side. In actuality, Fireworks is a deliberately frustrating film - one that believes it's smarter and more emotional than it actually is. Perhaps we could expect an emotionally gripping story that could be on a similar level of Shinkai's masterful craft. As with my positive experience with 5 Centimeters, I walked into Fireworks with no expectations, looking forward to what the film would offer. This alone was enough to attract myself and many other anime film enthusiasts towards Fireworks. highly emphasized the film having the involvement of Genki Kawamura, a producer that was also involved with Shinkai's latest film, Your Name. Enter Fireworks, an anime film originally released last year in Japan, and just finished making its premiere theatrical run in the U.S.įireworks' marketing in the U.S. I immediately became a fan of Shinkai's work, along with any other authors that are inspired and/or influenced Shinkai's craft. Moreover, 5 Centimeters proved to me that stories in any medium can discuss and express emotions in a limitless capacity. Not having any expectations going into the film, I was unexpectedly hit hard with Shinkai's incredible emotional storytelling. One of the most vivid experiences I've ever had with a film was with Makoto Shinkai's 5 Centimeters Per Second. In the past couple years, I've come to learn that not having any expectations for a piece of media can result in an enriching experience unlike any other.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |